Some days ago, I told you how to obtain a comics-effect on your photographs using a kind of HDR technique. Remind that the most important rule was that to make a copy of the photo and merge to HDR with Photomatix the two pictures.
In this days I improved this technique and the result is this one:

Ponte Pietra

I think that it is very beautiful. The steps that I followed are:
  1. I corrected the original RAW photo with DDP, making it sharpner and saturate and converted in a 16-bit TIFF format.
  2. With Photoshop I make other few corrections like brightness, contrast and color saturation.
  3. I created two copies of this TIFF file, and merged them in Photomatix.
  4. Here I made few adjustments like the black point, luminosity, shadows and highlights contrast. Saved again in the 16-bit TIFF format.
  5. I opened it with Ps where I adjusted contrast, saturation and applied two times the noise-reduction filter.
  6. Another time, two copies where created.
  7. I merged this two copies in Photomatix, corrected and saved in the TIFF format.
  8. In the end, I applied again the Ps noise reduction filter, corrected highlights and shadows, color saturation and contrast.
I hope you like the result as I do.

I did it again!

Two days ago I didn't know what to do (well, I had to study, obviously) so I took the train. Direction: Verona. That beautiful city, location of the world-wide famous love story between Romeo and Juliet. Verona is a medieval city, full of towers, old palaces, castles, and monuments. All this is sorrounded by wonderful hills and one of the longest rivers in Italy, the Adige. The weather was good, the sun shined and the sky was totally blue, without any clouds.
I took about 240 shots, but not all are good: some aren't sharp, some overexposed, some underexposed, some pictures are not so well composed and other simply are not interesting. In order to have an improved flexibility in what concern the post-production operations, I shoot always in RAW mode. In this way, I had the possibility to make all the important regulations (like white balancing, sharpness, contrast, saturation and other things) on my computer with its processor that is more powerful and accurate that that of the camera.
The major problem was that of the exposure: whene photographing with the sun behind me, there wasn't any problem. I just overexposed of 1/3 using the evaluative metering mode and the results were pretty good. On the other side, when the sun was in front of me, the photos were all dark. This is fundamentally due to the fact that the metering system of the camera takes the sky as a strong light source so, in order to obtain the correct exposure, it underexpose automatically of one or two stops. But that "correct exposure" is that of the sky! In that way, the subjects are all dark. To solve this problem, one usually overexpose of one or more stops, in order to have the right light balance.
However, in extreme conditions, even this technique doesn't work very well. Here is an example.
In this photo the metering mode was evaluative and the exposure compensation was of +1/3.
Exif: program Av, Tv 1/125, f/8, ISO 200.

Note that the sky is completely washed out, and this is impossible to correct in post production. So, when I saw this result I took another photo measuring the exposition on the sky, blocked it, and re-composed the frame overexposing by +2/3. The result is the following.

Exif: program Av, Tv 1/500, f/8, ISO 200.

Here, you note immediately that the sky is well exposed, but you cannot say the same for the castle: it is very dark. But, in contrast to the previous example, here you can correct the photograph in post-production, because you can extract some detail from the dark parts. But, you know, I prefer to have a right exposed photo, in order to minimize the post production operations. So I proceeded in this way: I measured the exposure on the sun, blocked it, re-composed the frame overexposing by two stops. The result is this.

Exif: program Av, Tv 1/250, f/8, ISO 200.

Here you see that the sky is only a little bit washed out but you can correct it, and the castle is right-exposed.
Clearly, it doesn't exist an universal method to obtain the right exposure. I want to underline the fact that here you can achieve the same result by modifing both aperture and shutter speed. I mantained an aperture value of 8 and varied the Tv. But you can do the inverse. What matters here is the precise combination of both values and the metering mode.

Anyway, in this page you can find the best photos (well, you'll find that photos that I consider the best!) of Verona, so take a look.

On the Digital Photography School website I found a 100-things-about-photography list that is very useful. So I report here not all the 100 things, but only the more important ones.

  1. Enjoy what you are shooting.
  2. Pay attention to your thoughts and emotions while you are shooting.
  3. Set goals you can achieve.
  4. Write tips about photography, beacuse writing is also learning.
  5. Never go shooting without a tripod.
  6. Watch the place you want to shoot first wirth your heart then with the camera.
  7. Perspective is the killer.
  8. Keep your camera clean.
  9. Find your own style of photography.
  10. Try to compose more and to hit the shutter less.
  11. Take care of the golden ratio.
  12. 10mm rocks!
  13. To give a landscape photograph the extra boost, integrate a person.
  14. Always shoot in RAW.
  15. Discover the things you think are beautiful.
  16. The best equipment is that what you have now.
  17. You can't take photographs of everything.
  18. Pay attention on the different ways that light falls on different parts of your scene.
  19. The eye moves to the point of more contrast.
  20. Clouds increase the atmosphere of a landscape.
  21. Start a photoblog.
  22. YOU ARE NOT YOUR CAMERA.
  23. Always turn around, sometimes the better image is behind you.
  24. It's who's behind the camera, not the camera.
  25. Shoot as often as possible.
  26. Re-check your ISO settings. It's aweful to detect the wrong settings on your screen.
  27. Try to amplify your mental and physical limits. Take some extra shots when you think "it's enough".
  28. Pay attention to structures in the sky and wait until they fit into structures in the foreground.
  29. Ask yourself: what do you want to express in your images?
  30. Photography is never a waste of time.
  31. A better camera doesn't guarantee better images.
  32. Post processing = optimizing your image to te best result.
  33. If you have an idea an immediately you think "no, this is not going to work", do it anyway. When in doubt, always shoot.
  34. There will always be people who will not like what you are doing.
  35. Henri Cartier-Bresson was right when he said: "YOUR FIRST 10,000 PHOTOGRAPHS ARE YOUR WORST."
I hope that you will find this brief list useful. To learn more, see the original article here.

Finally, today I had some time to dedicate to photography, so I picked up my D-SRL camera and went to Venice. The weather was not of the best, but it was good enough to let me take a lot of photos. Unfortunately I had only 4 hours, so I didn't walk all over the city but only in famous places like Rialto and San Marco. The purpose of this photo-walk was that of improve my composition technique together with obtaining the right exposure in different light conditions. The white clouds didn't help me in this, so I had to compensate the under exoposure of the on-board metering system, over exposing of about one stop. However, sometimes, the over exposure produced washed out highlights. Anyway, here are some of the best results of today. Let us comment the single shots.

Gondola
Exif: Program Av, Tv 1/200, f/6.3, ISO 200, RAW

I take this picture on the Riva degli Schiavoni near Palazzo Ducale. This photo originally was a color RAW image, but converted in post-production via Canon Digital Photo Professional: at this step I adjusted the sharpness and added a digital green filter. Then, in Photoshop, I rotated the frame in order to align the horizontal lines. In the end, I cropped the center of the picture, isolating the boats and the two bridges.


Canal Grande
Exif: Program Av, Tv 1/500, f/6.3, ISO 200, RAW

Also this photo is a crop of a bigger one. I take this picture on Rialto Bridge, facing the right side. Even this is a JPEG-converted version of the RAW image, adjusted in sharpness with DDP.


Crowd
Exif: Program Av, Tv 1/250, f/6.3, ISO 200, RAW

This afternoon Venice was very crowded, expecially near Piazza San Marco and Rialto. Well, it's summertime, so the turists are so much. As usual, the RAW file was converted via DDP, adjusting sharpness and saturation. Then, in Photoshop, I modified the curves and added a contrast mask.


San Giorgio
Exif: Program Av, Tv 1/640, f/6.3, ISO 200, RAW

San Giorgio Maggiore island is just in front of San Marco Square, so I decided to take this picture. Probably, this is the most unsignificant photo, but I like it anyway. Usual post-production corrections.

These are only four of the many shots I have taken, so stay tuned on my Flickr page for further updates. Note that I've also created two HDR versions of Canal Grande, seen from Rialto. When I finish the producing work, I put them online.
Let me know what do you think about these photos, thank you.